Vanessa Holden: I feel stupid.
Ashley Holden: You look amazing. Drink.
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Vanessa Holden: I'm going home.
Ashley Holden: No. Come on. It's just an off night. At any moment, Mr. Right is going talk through that... Oh, my...
Vanessa Holden: Is he cute?
Ashley Holden: Better. Have a drink.
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Jordan Todd: Vanessa Holden, age 25. Last Friday night, she was clubbing with her sister. A stranger, white male, roughly her age, picked her up. They left the club at 1 a.m., went back to her place. He forced her on her hands and knees. And then he cut her open just below the stomach.
Derek Morgan: Yeah.
David Rossi: Pretty rough.
Spencer Reid: The gutting causes the intestines to spill out. You can survive for a few hours, actually even days.
Jordan Todd: Postmortem indicates that he slit her throat at 5 a.m.
David Rossi: So he disembowelled her but didn't kill her for 4 hours.
Emily Prentiss: He could be a sexual sadist.
Jordan Todd: Yeah, I thought so, too, but I found two priors from a year ago-- Prostitutes, actually, in motel rooms.
Derek Morgan: Okay. So keep running with it. Why do you think this is the same unsub?
Jordan Todd: In Vanessa Holden's apartment, the following were discover… Bleach, ammonia, trash bags… All in a triangular pattern. One year ago, motel rooms… Bleach, ammonia, trash bags-- Also in a triangular pattern.
Emily Prentiss: He's cleaning up.
Derek Morgan: Might be trying to hide his tracks.
Spencer Reid: Could be a sign of remorse.
David Rossi: Apologizing for the murder by minimizing the mess.
Jordan Todd: But there's one other commonality between both sets of murders. Bleach and ammonia were found under the victim's fingernails.
Derek Morgan: He's making them clean up their own murder.
Aaron Hotchner: It's the same unsub.
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Emily Prentiss: Author Harlan Ellison wrote: “The minute people fall in love, they become liars.”
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Emily Prentiss: So if the unsub changed the victimology, does that make him organized or disorganized?
Derek Morgan: Well, the prostitutes point one way, the club goes another.
Spencer Reid: The triangular arrangement of the cleaning supplies is interesting.
Aaron Hotchner: Obsessive-compulsive?
Emily Prentiss: Might have been institutionalized.
David Rossi: We're missing the forest for the trees here. This guy started with prostitutes… A high-risk victimology. Took a year off, came back, killed a socialite.
Derek Morgan: No forced entry, no coercion of any kind.
David Rossi: Exactly. So how does our unsub go from loser of the year to Don Juan?
Spencer Reid: Actually, as Byron interpreted him, Don Juan was an ironic reversal of sex roles. And when-- th--that's about it.
Aaron Hotchner: Something must have happened between the last prostitute and Vanessa Holden making him change his victimology.
Jordan Todd: Could the unsub have known Vanessa?
Derek Morgan: It's unlikely. Sexual sadists attack anonymously.
Spencer Reid: They have to sever a personal connection and see their victims as objects to perpetrate this level of torture.
Emily Prentiss: We have to build two profiles, then-- One for the unsub who killed prostitutes, one for the unsub who goes to clubs.
David Rossi: We've never done that before.
Aaron Hotchner: Prentiss is right. The victimology is so different, we'll treat them as separate unsubs and see what overlaps. Reid, work up a geographic profile, focus on location of the murders. Prentiss and Rossi, concentrate on the prostitutes. Jordan, Morgan, and I will go deal with Vanessa Holden.
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Jordan Todd: Detective Harding? Agent Jordan Todd.
Rachel Harding: Thank you for coming.
Jordan Todd: SSA Hotchner, Morgan, Dr. Reid.
Aaron Hotchner: How you doing?
Rachel Harding: How are you?
Spencer Reid: Hey, is there a DNA match between the unsub and the prostitutes? We could run through VICAP just in case.
Rachel Harding: Um, there's no DNA at all. No prints, no fibers. Just like Vanessa, everything gets cleaned up.
Derek Morgan: Pretty effective forensic countermeasure.
Aaron Hotchner: What about witnesses? Somebody must have seen something.
Rachel Harding: Oh, yeah. Lots of people.
Derek Morgan: So you have a sketch.
Spencer Reid: It's a little vague.
Rachel Harding: That's because of this guy's other countermeasure. Take a look… So this guy right here, that's our killer.
Jordan Todd: It looks like a fedora.
Aaron Hotchner: So he's drawing attention to his face while simultaneously obscuring it.
Spencer Reid: It's called peacocking-- The adornment of some sort of flashy affect to sort of try to distract witnesses.
Derek Morgan: So none of your witness statements agree?
Rachel Harding: He had a mole, "he didn't have a mole." He had a gap between his teeth, no, his teeth were perfect.
Jordan Todd: Detective, we're gonna have to have a sit-down with Ashley Holden. She got the best look at the unsub.
Rachel Harding: Well, I wish I could make that happen, but unfortunately, the family has decided to stop cooperating.
Aaron Hotchner: Why is that?
Rachel Harding: They won't say. Yesterday the mother would move heaven and earth to help find her daughter's killer. Today, no, thanks.
Jordan Todd: I'll take care of this.
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Jordan Todd: Garcia... Is there any leverage you can give me that will help with the Holden family?
Penelope: Garcia: Sugar, if they broke the law, that'd be one thing, but they haven't done anything wrong.
Jordan Todd: What about public record? Anything that might explain why the family shut down?
Penelope: Garcia: I've got scads of blog postings on them. The Holdens were movers and shakers in the city… And the nasty stuff follows the money.
Jordan Todd: Like what?
Penelope: Garcia: The Holdens got what they had "coming to them." Why did Ashley get her sister killed? Yikes. "How much to gut the slutty one?"
Jordan Todd: Could you forward those to me?
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Mrs. Holden: Good afternoon. I'm sorry you came all the way out here. It's a waste of Tim Ashley knows absolutely nothing. And we want to get this behind us as soon as possible.
Jordan Todd: Mrs. Holden, we can't begin to fathom the loss you've suffered.
Mrs. Holden: That's right. You can't.
Jordan Todd: But, um... I lost my older sister in a car crash. And it was really hard on our family because she was the responsible one. She was the one that my mother always counted on to watch over us… And when she died, my mother wouldn't let the police in. If she didn't let them in, then my sister wasn't really dead. This man is a monster, and we can catch him. But we need your daughter's help.
Mrs. Holden: If you accuse her of anything...
Derek Morgan: Ma'am…
Mrs. Holden: I will be on the phone so fast...
Derek Morgan: Ma'am, ma'am, we won't.
Mrs. Holden: All right. Follow me.
Derek Morgan: Did you know that about Jordan?
Aaron Hotchner: No, and neither did she. According to her file, she's an only child.
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Ashley Holden: Vanessa's boyfriend just broke up with her, so I took her out to, you know...
Derek Morgan: To have a good time. There's nothing wrong with that.
Aaron Hotchner: We you approached by anyone?
Ashley Holden: Guys.
Derek Morgan: Can you describe any of them for us?
Ashley Holden: Ordinary. Look, Vanessa wasn't even in the mood.
Aaron Hotchner: So if she wasn't in the mood, if she left with this guy. Then there must have been something about him, something unique.
Derek Morgan: We saw a picture of him on surveillance, and we know that he was dressed like a rocker. So he was pretty flashy, right? What was the first thing you noticed about him?
Ashley Holden: His attitude.
Derek Morgan: What about it? Cocky? Confident? Or did he play it more the broody type?
Ashley Holden: He was like-- he was hitting on us, but he was, like, making a joke out of it at the same time.
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Robert Parker: Seriously. You don't recognize me? I will give you 3 more guesses.
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Ashley Holden: You know, even his eyes, they were different colours.
Derek Morgan: So this guy wanted to be noticed.
Ashley Holden: Yeah. That's why you go to a club, right? And then he had these games. Like, he would bet us drinks that we couldn't get his number… Or this other one.
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Robert Parker: There. Okay. Let me make sure you didn't screw it up. Hmm, okay. The camera really does add 10 pounds.
Vanessa Holden: What?
Ashley Holden: You're so...
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Ashley Holden: She didn't even want to go out that night. I had to drag her to the club. The last thing she said to me before I left her alone with that guy was, "I had the best time tonight." The best time.
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Aaron Hotchner: The information about Vanessa Holden being the responsible sister, where did you get that?
Jordan Todd: Some of it was on-line, and some of it was just an educated guess based on birth order. A guess.
Aaron Hotchner: And in the process, you lied.
Jordan Todd: That mother was shut down. I needed to salvage some rapport.
Aaron Hotchner: I don't know how you did things in counter-terrorism, but we don't make it a habit to lie to get the job done.
Jordan Todd: I got you in the door, didn't I?
Aaron Hotchner: Not only do you represent the FBI, you represent this team-- To the press, the police, and to the families who are struggling with some of the hardest times of their lives. If you get caught in a lie, the trust we depend on to help solve these crimes disappears. Do I make myself clear?
Jordan Todd: It won't happen again.
Aaron Hotchner: No, it won't. When we get back, I want you to prepare a press release about the unsub. Do not release it. From now on, everything goes through me… Yeah, Dave?
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Jordan Todd: So how bad did I just screw up?
Derek Morgan: On a normal scale of 1 to 10, I'd say a 6, but on Hotch's scale, an 11.
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Spencer Reid: The unsub killed the prostitutes in separate pay-by-the-hour motels Fulton County, Right there in one of the poorer neighbourhoods he area. Now, Vanessa Holden's apartment was in the peach tree district, where there's a lot of big money. Based on the geography, he isn't just changing his victimology, he's changed his whole tax bracket.
Derek Morgan: The high profile of Vanessa Holden bears that out. By killing her, he was climbing the social ladder.
David Rossi: If that's the case, this unsub had a long way to climb. Both prostitutes advertised here. Look at their pictures.
Aaron Hotchner: Subservient positioning, asking to be dominated.
Emily Prentiss: Promising to come to you? That cuts out the social interaction of meeting on a street corner.
Derek Morgan: That's a long way from a self-assured unsub who hits the clubs.
Aaron Hotchner: Except he took a year off between the murders. Maybe he took that time to change himself.
Derek Morgan: That's impossible.
Aaron Hotchner: Why?
Derek Morgan: Well, I mean, you're talking about a total transformation here. I mean how you talk, i mean how you dress, how you think about yourself.
Aaron Hotchner: Difficult maybe. Not impossible.
David Rossi: He already started killing. There must have been a secondary trigger that motivated him to change who he was… So if you're gonna transform yourself, how would you do it?
Emily Prentiss: A steady diet of self-help books. Start hitting the gym?
Spencer Reid: You have to learn how to read people. I mean, what is a pick-up? It's basically just a profile.
Derek Morgan: Decoding cues of interest and recoding similar ones.
Emily Prentiss: If you're too obvious, you turn off your target. If you're oblivious, your target moves on to a better profiler.
Aaron Hotchner: That doesn't sound like something he could do on his own.
Emily Prentiss: No. He'd have to go somewhere to learn it.
Spencer Reid: Yeah. A self-help class maybe?
Derek Morgan: Uh, wait a minute. Come on. An unsub who kills prostitutes. Is he really thinking about signing up for a Tony Robbins seminar?
David Rossi: He would, if he found a class in the same place he found the prostitutes.
Spencer Reid: Learn How To Pick Up Chicks
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Becky Williams: I like your style.
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Derek Morgan: Well, the preliminary autopsy came back. The victim's name is Becky Williams.
David Rossi: Was she disembowelled?
Derek Morgan: No. And what's even weirder is the cleaning supplies were set out, but there was no traces of them on her body.
Spencer Reid: Why would the unsub alter his signate and push her out of an 8-story window?
Derek Morgan: Escalating to sadism maybe?
David Rossi: Gutting and cleaning are what he has to do to find release. He wouldn't change that.
Derek Morgan: Well, why not? He's changed everything else about himself.
Spencer Reid: Did anyone see the unsub?
Derek Morgan: No surveillance cameras at the club. Becky's friends say she was talking to a guy with sunglasses.
Spencer Reid: Sunglasses.
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Aaron Hotchner: So why did he pull out the cleaning supplies and then not use them?
Emily Prentiss: On all the other scenes, the bottles were arranged in a precise order. Here they're just part of the mess.
Aaron Hotchner: Maybe she fought back. And when Becky went over the railing, his routine had been compromised because he knew the police would respond.
Emily Prentiss: Or she could have jumped. Her nervous system was pumping adrenaline. Her fight or flight response kicks in.
Aaron Hotchner: He struck two Fridays in a row, and if his routine's been interrupted, It might compel him to strike again.
Emily Prentiss: It's Saturday. The clubs will be packed tonight.
Aaron Hotchner: Take a look at the classes the unsub might have taken. We need to generate a suspect pool as soon as possible.
Emily Prentiss: Okay.
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Spencer Reid: Can detective Harding get a copy of the sketch to Garcia?
Aaron Hotchner: Did you find anything outside?
Spencer Reid: No. But I think there might be a new pattern emerging.
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Spencer Reid: Garcia, you ready?
Penelope Garcia: Sending it now. Please be aware that 30 minutes with photoshop does not allow for much artistic flourish.
Spencer Reid: Both times the unsub has gone to a club, he's had some costume, but now there's a theme-- A fedora and coloured contacts, sunglasses, each time obscuring-- Are you ready, Garcia? This area. Now, yes, maybe he's trying to draw attention to him, but maybe he's trying to draw attention away from here.
David Rossi: Something he knows is identifiable-- a birthmark or a scar maybe.
Aaron Hotchner: We need to get these out. Jordan, release these to the press.
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Jordan Todd: Which is why we're encouraging women to be on the lookout for this man. He has been seen at club omega, suffragette city. And we believe he may be attending similar nightclubs in the midtown district. He may have a scar or a birthmark on his left eye… Based on witness descriptions and captured images, the suspect is white, mid-to late 20s, and I repeat, he may have a scar or a birthmark...
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Emily Prentiss: Hotch.
Aaron Hotchner: What did you find out?
Emily Prentiss: Of the 20 self-described pickup artist classes in the area, there's only one guy who encourages his students to dress like, uh, space cowboys… Are you ready to meet Viper?
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Viper: Men are put on this earth to hunt women. And even though women deny it, they want to be hunted. They need it. It's part of our biological imperative as animals. And the competition the opposite sex puts you through-- Pitting you against other guys, against your own friends even, it's all to reassure themselves that they have brought home the best possible mate. It's just like you. They want someone who's gonna make their eyeballs roll back in their head… My job is to help you slash past every defense, every excuse, every, "why don't you meet my friend" trick that they're gonna throw at you. You may not have ripped abs or afford table service, but if you're smarter and... More interesting, then you will be a better predator, because this is the jungle, my friends. And your prey wants to be caught.
Derek Morgan: Will you listen to that language? He's training serial killers.
Emily Prentiss: Great. We're dealing with a rampant narcissist and misogynist who's turned himself into a snake oil salesman.
Aaron Hotchner: That's one more thing he has in common with our unsub.
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Viper: So you think this-- what did you call him-- unsub took my class.
Aaron Hotchner: He copied your "the camera adds 10 pounds" routine verbatim.
Viper: Yeah. That's a good gag.
Emily Prentiss: If you could just give us your attendance lists, it might help us find him.
Viper: No.
Emily Prentiss: No?
Viper: My clients expect a certain amount of confidentiality. I won't compromise that.
Aaron Hotchner: We can come back with a warrant.
Viper: Be my guest. But keep in mind, the money i make doesn't just pay for my fabulous lifestyle, it also keeps some very expensive lawyers on retainer.
Emily Prentiss: What club did you go to last night?
Derek Morgan: It's a legitimate question. You seem to know a lot about our investigation.
Viper: Two things to learn about me-- First I outwit alpha males like you for fun and sometimes profit. How often do you have to rely on your badge to score, baldy? Second, last night, Ii was at club aqua, and I have a stack of tax-deductible drink receipts to back up my story. Now, you might not want to believe that my style works. And here in this harsh light, you have the advantage… But meet me on my turf... Oh, the things I could make you do.
Aaron Hotchner: If you, um, have any questions, give us a call.
Emily Prentiss: Please tell me we are not giving up on that guy.
Aaron Hotchner: We're just getting started.
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Penelope Garcia: H--he actually said that? To Prentiss?
Aaron Hotchner: Yes, he did. So what can you tell me about him?
Penelope Garcia: I can tell you the viper's real name is Paul Thomas. And before he rechristened himself, he had a major mullet going on.
Aaron Hotchner: Garcia, we need the names of all of his students.
Penelope Garcia: I'm gonna need a couple hours for a work-around.
Aaron Hotchner: I also need you to send Reid everything you can about what this guy teaches. I think the unsub's using one of his routines. We need to start building a linguistic profile.
Penelope Garcia: Sir, does this guy's stuff actually work on real breathing girls?
Aaron Hotchner: Why are you asking me?
Penelope Garcia: I abhor the whole chicks dig jerks thing.
Aaron Hotchner: Well, fortunately, Garcia, you're one of the exceptions.
Penelope Garcia: Well, be still my be speckled heart. So are you, sir.
Aaron Hotchner: Thanks.
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David Rossi: Hotch, this is Melissa Foster. She recognized the sketch.
Aaron Hotchner: I'm SSA Hotchner thank you for coming in. You sure you've seen this man?
Melissa Foster: Yeah. I gave him the scar.
Aaron Hotchner: Did you meet him in a club?
Melissa Foster: No. I was a prostitute.
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Melissa Foster: This happened about a year ago. And I was in bad shape.
David Rossi: Heroin?
Aaron Hotchner: But you got clean.
Melissa Foster: My girl, Cheryl, told me if I put an ad in the paper, it'd be safer than walking the streets. So...
David Rossi: One day you got a call, right, to meet you at a motel?
Melissa Foster: Yeah.
David Rossi: When you walked in, you knew you were in trouble. He couldn't meet your eye… He was, um, kind of shifty maybe?
Melissa Foster: He paced. I spent the first half-hour trying to get him to relax, because if he can relax, then I can relax. But he just wanted to rant.
Aaron Hotchner: What did he say?
Melissa Foster: He said I was the help.
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Robert Parker: They don't even see you. You're nothing. The help.
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Melissa Foster: I had customers like this all the time. They work out one of two ways. Either they want to tie you up, and you just say no or they want to be tied up, in which case you do it and, uh, you steal their wallet.
David Rossi: He didn't want to tie you up, did he?
Melissa Foster: No.
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Melissa Foster: You know what I remember about the whole thing, like crystal clear? It wasn't the pain that sent him running.
Aaron Hotchner: It was the mess.
David Rossi: There's no record of your attack-- police, hospital. Nothing. Why didn't you come forward?
Melissa Foster: I wasn't ready to kick it yet. I was this close to dying for two weeks. And when i got back on my feet, i realized...
Aaron Hotchner: You just didn't want to live like that anymore.
Melissa Foster: If he hadn't attacked me, I would have D.-ed. He saved my life.
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Emily Prentiss: Our unsub is a confident alpha male. He is white. He's between the ages of 25 and 30. He's in excellent physical shape to overpower women and also to feed his self-image.
David Rossi: He has an obsession with cleaning. He probably works in some service industry, wiping up after others, convinced everyone looks down at him. His change in himself and his victimology reflects that.
Derek Morgan: This is the kind of guy who wants to stand out in a crowd. He's taken a class in how to pick up women. So he'll repeat a series of well-rehearsed lines and mind games.
Aaron Hotchner: He may be uneducated, but he's by no means stupid. Taking this class has given him the ability to read verbal cues and body language.
Spencer Reid: One classic routine the viper promotes is called the push-pull. He'll insert himself between two women and immediately after complimenting one, he'll deliver a subtle insult, then pay attention to the other. Those are really nice earrings. I like those.
Jordan Todd: Thanks.
Spencer Reid: My grandmother wears a lot of fake jewellery also. It looks nice. Ignoring the one man puts her in direct competition with her friend and causes the other to pursue you more aggressively. I was just demonstrating. So I'm sorry.
Rachel Harding: Well, we've mapped the hot spots he hits. And he frequents the same clubs that the viper does, so we need eyes and ears in every single one.
Aaron Hotchner: Circulate the sketch as widely as possible. We'll need everyone aware that there's a killer out there. Thank you very much.
Spencer Reid: I think I might just stay home and man the tip line tonight. Clubs aren't really my thing.
Derek Morgan: Not a chance, kid. I need a wingman. Come on, now.
David Rossi: Actually, there is another angle we need to pursue.
Aaron Hotchner: We still don't know what made the unsub change his victimology: what made him stop killing prostitutes and move into the clubs?
David Rossi: The answer might be something in viper's class, but to figure that out, we need to profile the teacher.
Derek Morgan: You need to bait him, then, with someone he sees as a challenge.
Spencer Reid: We need to study his style up close and personal. It's gonna take someone that he's already attracted to.
Emily Prentiss: Oh, this is really gonna suck.
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Aaron Hotchner: Prentiss?
Emily Prentiss: Yeah. Come on in. Hey, I'm 10 minutes away.
Aaron Hotchner: You're okay with this, right?
Emily Prentiss: Yeah. I'll be fine. Sadly, I've actually dated people worse than Viper… Is something going on with Jordan? Um, you asked me to keep an eye on her. And, frankly, I've noticed some tension.
Aaron Hotchner: I caught her in a lie. She cut a corner to get us in with the Holden family.
Emily Prentiss: Did she misrepresent the bureau?
Aaron Hotchner: She misrepresented herself.
Emily Prentiss: So how long is she gonna be in the doghouse?
Aaron Hotchner: Until she proves she's competent.
Emily Prentiss: That's gonna be tricky if you're scrutinizing her every move.
Aaron Hotchner: Prentiss, you seem to do okay.
Emily Prentiss: I think in order for Jordan to prove she's good at this job, it's not gonna happen under a magnifying glass. You're gonna have to give her the opportunity.
Aaron Hotchner: You have something in mind?
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Spencer Reid: When you think about the nature of serial crimes, it's amazing there aren't more predators in the clubs. I mean, excessive amounts of alcohol, countless opportunities for date rape drugs, not to mention surprisingly risky behaviour being pursued. All right. So who wants a flier? Nobody? Okay. All right.
Derek Morgan: So how's it going?
Spencer Reid: Not good. I gave the profile to one woman, she asked if I was the unsub. How are you doing?
Derek Morgan: Well, I gave out all my fliers.
Spencer Reid: How many phone numbers did you get?
Derek Morgan: None. I'm working a case here, kid. Okay, 4 were offered, but I didn't take any of them… All right. Look, let me school you real quick. What you have to do with these ladies, just take control of the conversation. When you're talking, what makes you feel like an expert?
Spencer Reid: Uh, statistics.
Derek Morgan: No. Trust me. No. Something else.
Spencer Reid: Um, well, when I do magic.
Derek Morgan: See? See, that's perfect. Chicks dig magic… I'm gonna give you a chance to work it. Come here.
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Derek Morgan: Excuse me, sweetheart. Whenever you get a chance.
Austin: What can I get you?
Spencer Reid: We're with the FBI. We're looking for this man. Does he look at all familiar to you?
Austin: It's not much of a picture.
Spencer Reid: I know. You know what might help, actually, is he has a scar on his eye right about there. We also know that he's taken classes where he's learned how to distract and charm his victim.
Austin: Okay. How did you do that?
Spencer Reid: That's privileged information.
Austin: So what do I do if I see him?
Spencer Reid: You should call us. Even if you just think you see him, you should definitely call us.
Austin: And if I don't see him... Can I still call you?
Spencer Reid: Yeah. Yeah. You can call me. Yeah.
Austin: Okay. Cool. Wait. I don't have your number.
Spencer Reid: Oh, it's behind your barrette… Bye.
Derek Morgan: See? There you go. That's what I'm talking about. That's called game.
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Viper: That's an excellent question. Once you know a chick is interested, how do you proceed? Allow me to demonstrate.
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Viper: This is a nice surprise.
Emily Prentiss: Well, the Atlanta PD and the FBI are combing all the bars you go to. And it looks like I pulled the short straw.
Viper: Lucky me, then.
Emily Prentiss: So... Why do you do it? Why do you teach guys how to be somebody they're not?
Viper: Because it's a game, one I'm good at. And I want to help other guys get good at it, too.
Emily Prentiss: So... Affection, sex, emotional commitment. That's all just for fun, huh?
Viper: No. The fun is in the initial spark. It's that thing a guy does in the first 5 seconds that makes you go... Him. What you're talking about is a different beast. You can't fake it. You have to want it. Now, why are you really here?
Jordan Todd: Is, um, this the guy you were telling me about?
Emily Prentiss: Viper, meet SSA Jordan Todd from the BAU. Jordan, this is Viper-- god's gift to women.
Jordan Todd: God sure has a sense of humour.
Viper: You brought a friend.
Emily Prentiss: You promised if I met you on your turf, you'd show me something special. So let's see it.
Jordan Todd: Yeah, Viper, who gets pushed and who gets pulled tonight?
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David Rossi: Is this the one that if you stare at it long enough, you see the image of a swan?
Aaron Hotchner: I'm just wondering if we missed anything.
David Rossi: Remember, I said there was a secondary trigger. We never found it.
Aaron Hotchner: Maybe it's something that came from the class. Prentiss could still—
David Rossi: What he took from the class brought him to Vanessa Holden, but I'm talking about something much deeper psychologically. Think about this. This unsub always goes to his victim's apartments. Never his own place. Why is that?
Aaron Hotchner: Well, there must be some restriction there.
David Rossi: A nagging girlfriend, a crying baby maybe, some reminder of how miserable his life is.
Aaron Hotchner: Which he's taking out on his victims.
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Viper: You see, eye contact is a very powerful gauge. It's why you tend to look away from someone you're attracted to because you know instinctively what a dead giveaway it is. But your brain goes there anyway. Images, fantasies.
Jordan Todd: Don't flatter yourself.
Viper: The eyes don't lie. They dilate. It's a chemical response. We can't control it.
Emily Prentiss: Okay, 15 seconds.
Jordan Todd: What do you see?
Emily Prentiss: Nope. No change. No dilation.
Jordan Todd: I guess chemically we're not a match.
Viper: Only because you have someone else on the mind. Once that happens, the attraction center in the brain shuts off. Your turn.
Emily Prentiss: No.
Viper: Are you scared i might be right? Yeah?
Emily Prentiss: No, Paul, I'm baffled. I cannot figure out what the unsub could have learned from you.
Viper: What do you mean? He took my look, my words, everything that makes me successful to the opposite sex.
Jordan Todd: Really? Because that guy can get beautiful women into his apartment. I wouldn't let you on my Facebook page.
Emily Prentiss: Oh, you're on Facebook?
Jordan Todd: Yeah. You should friend me.
Emily Prentiss: I will.
Viper: I gave him the routines that made him what he is.
Emily Prentiss: It must all be in the salesmanship then.
Jordan Todd: 'Cause we've been watching all the women in the club.
Emily Prentiss: And not one of them has looked at you. So who do you really go home with, Paul? Or--or do you go home alone?
Viper: That was really good, ladies. That was really good. Don't you think I know why you're here? One of my students copies my moves, and you're here to get inside my mind. Don't you see? I confronted my queen bee a long time ago.
Jordan Todd: What's a queen bee?
Viper: You are. And so is every other confident girl in here who's loud when she's drunk.
Emily Prentiss: The social butterfly, the alpha female.
Viper: Every student who's ever taken my class has had one in his life. And the first exercise my students have to complete is to confront their queen bee. It could be the girl who cheated on you or the prom date who stood you up. But you find them and squash them.
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Emily Prentiss: Our unsub knew Vanessa Holden.
Aaron Hotchner: How do you know?
Jordan Todd: It's Viper's first confidence building exercise. Find the source of your first rejection and make her pay for it.
Emily Prentiss: That's why he stopped seeing prostitutes. He took Viper's class and decided to confront Vanessa Holden.
David Rossi: It makes sense with what he said to Vanessa that night. Don't you know who I am? Look closer.
Aaron Hotchner: He meant it literally. We need to talk to the family again.
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Mrs. Holden: So what you're saying is that you think my daughter knew her killer.
Aaron Hotchner: It would have been someone that she possibly met at a young age, maybe a boyfriend, someone she rejected.
Ashley Holden: No. Vanessa told me about all her boyfriends.
David Rossi: How about someone who expressed himself sexually to Vanessa? It would have been awkward, embarrassing.
Aaron Hotchner: And he would have had issues with cleanliness or cleaning… What is it?
Ashley Holden: That woman who used to clean for us, the one who brought her son.
David Rossi: Who was she?
Mrs. Holden: I don't remember her name. There have been so many people through this house, but I remember when she brought this young boy in. He was odd.
David Rossi: How?
Mrs. Holden: He was inappropriate. He would hide in the closet and then watch. I caught him one day with Vanessa.
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Mrs. Holden: What are you doing in here?
Robert Parker: We--we--we weren't doing anything.
Vanessa Holden: He made me.
Mrs. Holden: You are coming with me. Get over here.
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Aaron Hotchner: And what did you do?
Mrs. Holden: I did what any parent would do.
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Mrs. Holden: Do you understand what you did? Do you know what you did? That's for talking to her... And that's for this. Don't you ever do that again. Don't you ever.
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Ashley Holden: Mom!
Mrs. Holden: Well, don't look at me. That boy had no sense of boundaries whatsoever. He needed to be taught a lesson.
Aaron Hotchner: Do you happen to have any records of the employee, the mother?
Mrs. Holden: No. Everyone got paid in cash.
Ashley Holden: Bobby. His name was bobby. Vanessa called him a pervert.
Mrs. Holden: I fired the mother that day. It was awful, but there's a service that I remember that I used to get my domestics from. It was in Fulton County.
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Austin: Last call, people! Last call.
Robert Parker: See, your loveline's broken up, which means you haven't found your soul mate yet.
Brandi: Well, that's true.
Robert Parker: Yeah. It's really amazing. You see it in these couples that are together forever. The lines on their palms change, so they… They become mirror images of each other.
Brandi: Really?
Robert Parker: Really. Why don't we--why don't we get out of here? And I can tell you more about it.
Brandi: What the hell?
Austin: I'm sorry.
Brandi: Hey, you were holding on to me kind of tight.
Robert Parker: We're leaving.
Austin: You know what? I have some club soda in the back if you want to clean that up.
Brandi: Yeah. Yeah. Why don't you let me do that?
Austin: Just, uh, right back here.
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Austin: I need you to stay right here, okay?
Brandi: Who is that guy?
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Austin: Come on. Come on. Come on.
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Spencer Reid: The bouncer saw Austin go out the back. She likes to smoke back here.
Derek Morgan: Well, based on the witness' description, it’s definitely sounds like the unsub was here. We got units at her apartment, but no one's home.
Austin: Hey, it's Austin. Leave a message.
Spencer Reid: It keeps going straight to voicemail. Maybe we could have Garcia try to triangulate where she is based on the cell phone… He has her.
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Jordan Todd: When you asked him if he practices his routine on a sex doll, I almost lost it.
Emily Prentiss: You know, as much as I hate what that guy stands for, I still read "five ways to get noticed" in "Cosmo" magazine.
Jordan Todd: Because it makes sense… Emily, thanks for doing this.
Emily Prentiss: Absolutely.
Aaron Hotchner: I need you both out here. The unsub's kidnapped another victim.
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David Rossi: Garcia, you've got viper's attendance records?
Penelope Garcia: Got it. I'm ready to play the player.
David Rossi: Start with Robert. Narrow down the permutations. Bob, bobby.
Penelope Garcia: That gives us 23 suspects.
Aaron Hotchner: Do you have access to birth records?
Penelope Garcia: Yeah.
Aaron Hotchner: Pull the mothers' names and cross-reference with work and home addresses in Fulton County.
Penelope Garcia: Hold on… Bingo. Robert C. Parker lives at 932 Pryor street.
Rachel Harding: Oh, Pryor's 5 miles from here.
Aaron Hotchner: Let's go. Jordan, have swat meet us at the site.
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Robert Parker: You made a mess, and now you're gonna clean it up… Clean it up! Clean it up! Clean it up! Clean it up! Faster. Faster… You heard me saying "faster"?
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Aaron Hotchner: First team in position.
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Austin: I'll do--whatever you say you want me to do, I'll do it. I'll do it. Okay.
Robert Parker: The help... Doesn't talk.
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Derek Morgan: FBI! Stay there. Stay there.
Austin: Get this off. Get it off. Get it off.
Spencer Reid: Okay. It's okay.
Austin: I called you.
Spencer Reid: I know. I know. I know.
Austin: I called you.
Spencer Reid: Let's go.
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Mrs. Parker: Please, please, please. Who's that? Some... Somebody out there? Who are you? What do you want?
Aaron Hotchner: Mrs. Parker?
Mrs. Parker: Where's Robert? Where's my son?
Aaron Hotchner: Everything's gonna be okay. We're gonna get you some help.
Mrs. Parker: No. Please. I need Robert. I need to be changed.
Aaron Hotchner: He's just outside, ma'am.
David Rossi: It's a dialysis pump. It was issued 10 months ago… We found our secondary trigger.
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Aaron Hotchner: PJ O'Rourke wrote: “Cleanliness becomes more important when godliness is unlikely.”
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Aaron Hotchner: Come in.
Jordan Todd: My report.
Aaron Hotchner: Thank you… Jordan? Prentiss said you were excellent in the field. Astute, responsive. You thought well on your feet.
Jordan Todd: She's being generous. I really enjoyed working with her.
Aaron Hotchner: You also posited early on that Vanessa Holden might know the unsub.
Jordan Todd: Well, he didn't fit the profile of a sexual sadist.
Aaron Hotchner: And you were right… Clearly, our unsub was more complicated than the profile. Anyway, I just wanted you to know that you have the green light again… And I trust your judgment.
Jordan Todd: Thank you.
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Spencer Reid: How are you feeling?
Austin: Great. I told my HMO I got abducted by a serial killer, so they gave me free dental X-rays.
Spencer Reid: I'm glad your stay at the hospital wasn't too terrible, then.
Austin: Ah, my doctor gave me a clean bill of health. He told me I could even go back to work if I wanted to.
Spencer Reid: All right. Back to bartending. All right.
Austin: No. I quit that job. My recent brush with death has inspired me to pursue a different career.
Spencer Reid: Well, that's… That's very exciting news. What's, um… What is the new job path?
Austin: Uh, well, I was thinking about taking up magic. Have you opened the package yet?
Spencer Reid: What is this?
Austin: Is this your card?
Spencer Reid: Yeah. It, uh, it is my card.
Austin: Cool.
